Features of Arab automated music culture between the perspectives of musical and musical discourse

Abstract

This article examines the features of Arab mechanical music culture among the perspectives of musical rhetoric. By reviewing the cultural connotations of music and the meaning of taste, returning to musical and musical discourse, diving into the concepts of culture and its cultural variables, engaging in culture and anthropological context, collective machine performance and its impact on cultural taboos; This paper seeks to dismantle the sociocultural connotations of music as a practice and culture with a peculiar and aesthetic ostracism expressing a variety of individual and collective characteristics that fuse into what can be considered a common cultural and aesthetic heritage. The study is based on the problematic relationship between musical culture such as speech and music as science and cultural anthropology research with social connotations. Let's try to draw intersection lines between musical performance on the one hand, and music as an aesthetic artistic expression