No poetry after Auschwitz

Abstract

Auschwitz in philosophical and literary writings formed Deep ideological dimensions, as it relates to history and historical writing and its recording of many positions in literature, poetry a These narrative wills were not separated from strong reactions and accompanied the Auschwitz poetic event, and Theodor W. Adorno was a decisive stance towards stopping and the possibility of writing it after this The shocking event, Which overtaking all the barbaric features of the German Jew, Poetry Not possible this To represent event, nor can its benefit be realized in light of the Nazi regime’s crime against society. This situation witnessed the opposite response from many poets as (Paul Clean) who presented Auschwitz in his poetic language that exceeded the limits of pain and silence and revived the memory of the genocide