Mural photography and the mechanisms of humanitarian practice in the Arab world: Readings in dimension aesthetic and sociological

Abstract

The methods of linguistic and artistic expressions varied and became rich in subjects and techniques of work in them, and the murals emerged as a phenomenon that calls for scientific accountability and research in its semantic and rhetorical content, it has emerged as a means of history and the definition of ancient civilizationsuntil they have becomecultural element and a vivid specimen of the aesthetic and sociological truths, it affected the psychology of the recipient of the spectacle industry or the idea, in the form of plastic art paintings, writings, lines, sculptures and posters, on various materials, using multiple meansand varied Interior design to the exterior, as an expression of protest in a world full of constraintsunder the banner of every desired forbidden and wall soundless,so it is difficult to confine it to familiar materials and frames, because of the contradiction of relations Between imagined and the verifiedand it is often no longer to touch the walls to lean on them, but to become a means of mass communication a tool for the expression of political views social ideas and sociological and cultural references